Premiere CS6 rearranges the standard video
editor layout: instead of the standard source browser at top left with
the preview window to its right, the editor uses (by default) a two-up
look, with source preview at left and project preview at right. You can
switch workspace layouts back to CS5.5's way from the Window menu, as
well as to layouts suited to audio, color correction, effects,
metalogging, our your own custom ones.
You can also now add and remove control buttons to taste, and Adobe
has removes a bunch for a cleaner interface. Since many editors rely on
keyboard shortcuts like J, K, and L for navigating through a project,
fewer buttons and a cleaner screen make a lot of sense. It's a very
flexible interface, and you can undock and drag around windows to your
heart's content.
The media browser thumbnails can now be individually skimmed through
by moving the mouse over them, and when you click on one, you get a
scrubber bar and can mark in and out points right there, before you even
insert the clip into your project. Premiere offers several ways to
insert a clip into your sequence: You can click the Insert or Overwrite
buttons in the source preview monitor, or you can just drag its
thumbnail from the media browser onto the timeline or onto the
preview monitor, optionally holding Command (or Ctrl on Windows) makes
your clip overwrite the timeline contents. With CS6, you can now even
drag files from the OS's file system into the project.
The media browser also has tabs for Effects, Markers, and History,
the last of which can be helpful to get you back to a good spot if you
mess up. Markers, too, have been improved, with the ability to attach
notes and place multiple markers at the same time point. Markers can
have durations in frame timecodes and the Markers tab shows you entries
with all this for every marker in a clip or sequence. Clicking on a
marker entry here jumps you right to its point in the movie.
Any device that can create video footage is fair game for import to
Premiere Pro: It can capture from tape, with scene detection, shuttle
transport, and timecode settings, and even imports raw file format from
pro-level cameras like the Arri Alexa, Canon Cinema EOS C300, and Red
Epic. Resolutions of up to 5K are supported.
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